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Some rainy day

I love legwarmers, though it’s a look I’ve not successfully pulled off in the past. In fact, my very first attempt at knitwear design was a pair of button-up leg warmers. It was a good attempt, with nice Rowan Felted Tweed, but not a complete success: the buttons were ugly and not super functional (think about a size small cardigan buttoned over a size large belly and you’ll start to understand why buttons and legwarmers are not a match made in heaven).

So here’s a second try, by coincidence also in Felted Tweed. I’d had tinyowlknits’ Some cloudy day legwarmers in my queue for awhile, and when Urban Yarns started a tinyowl knitalong, it was time. Love it. It’s my goof-off knitting; it’s been years since I made so many mistakes in my knitting, but it doesn’t seem to matter! It’s just for fun.

Eira

It took a few months to get over the wonderful shock of having my first design for Twist Collective published. At Twist’s invitation, I’ve put together a bit of information on Eira‘s design inspiration and features.

I woke up one morning, a week before the Twist Winter 2011 submission deadline, thinking I had to just try, even though it felt awfully ambitious. My thoughts kept returning to a sweater I’d had years ago, purchased in a second-hand clothing store in Vancouver. It was a plain knitted pullover with slightly puffed sleeves that I wore to tatters because it was so simple and comfortable and flattering.

So as I set out to design something similar, I worried that it might be a bit too boring, visually and technically. I thought about how to give the sweater some figurative festive sparkle by considering what makes winter so magical to me: the patterns of light and water – sparkly bits of ice and rain, the polka-dots of falling snow, and blurred twinkling lights. This is how the eyelet details at the neckline and cuffs came about, as well as the little glass buttons on the left shoulder.

I confess that Eira was designed for my body shape; I used slight puffed sleeve to exaggerate my small shoulders, and a longer length to skim over my wide hips. The final design, however, looks beautiful on all sorts of body types.  The body and sleeves are knit in the round because I feel seams are unnecessary for such a light and smooth garment, but the sleeves do have to be set in because of their gathered tops. The whole thing reaches towards a style that I’ve always liked, a slightly vintage and feminine look that isn’t too fussy.

I imagine Eira knit in a soft and somewhat luxurious yarn, perhaps merino wool with a bit of cashmere or silk. I love the Elann Peruvian Baby Cashmere I used for the sample shown here. When I knit a second Eira, I’ll be tempted to try Classic Elite Vail, one of Handmaiden’s amazing fingering-weight yarns, or maybe the new Knit Picks Capretta.

The pattern itself is very straightforward, with the exception of the acrobatic neckline details. To create the starburst arrangement for this detail requires simultaneously creating pleats, making eyelets, and doing short row shaping along the neckline. Definitely best done in one sitting, if possible, but great fun for those who like their knitting to come together in one big final flourish. And, I’ll be the first to admit, knitting an adult-size sweater in fingering weight yarn isn’t for the faint of heart – it’s a lot of knitting! But for all your hard work, if you choose to make Eira, you’ll get a pretty sweater looks great when worn unlayered, with just a skirt or some dressy pants. I hope you like it!

 

Max

Only three months late, I present to you:

Max! My Halloween costume. Which I wore to work, only to have a red rashy forehead after an hour or two of wearing. I don’t recommend wearing lopi yarn next to your skin, and I’m not one of those “I can’t wear wool” sissies, either. I love me some lopi, I’m just going to save it for sweaters and coats from now on.

Itchiness aside, this was so much fun to make, and fun to wear, too, except that judging by most people’s looks, no one knew what I was supposed to be. People, you need more Where the Wild Things Are in your lives! The hat is just a regular toque/beanie, with ears made and sewn on last. The crown is knit and felted.

By the way, did you see Maurice Sendak interviewed by Stephen Colbert a few weeks ago? Not sure who won that match, but it was funny

Pattern: Wear the Wild Things Are Hat by tiny owl knits (Ravelry link here)
Hat Yarn: Istex Alafoss Lopi (100% wool) in Oatmeal Heather
Crown Yarn: Cascade 220 (100% wool) in Goldenrod

Bum wrap

There was a clothing store where I grew up called The Bum Wrap – it forever (mis)formed my understanding of the phrase ‘bum rap’.

Anina and I have a mutual distrust of knitted skirts. It’s an unforgiving look, wrapping a big round bum (if that’s what you happen to have, like me) in stretchy fabric. But I’ve found a skirt pattern on Ravelry that’s making me question this belief.

Part of Ravelry’s awesomeness is that it shows you what your favourite patterns look like on real people. So many times, my illusions have been shattered: in love with a certain sweater, I’ve scrolled through pages and pages of Ravelry projects that show how unfortunately unflattering the garment is on nearly everyone who has knit it. Many times, I’ve abandoned thoughts of making the sweater for this reason alone. But this skirt

© Veronik Avery

There are some seriously good-looking bums on the project pages! And not all are size small, you doubters – it looks good on different sizes and shapes, it seems to me. Plus it’s made with only three skeins of Cascade 220. Have I gone off the knitting deep end, or is it possible there’s a bum wrap in my future?

Cardigan

I love me a good cardigan. This is a pretty good cardigan.

As I mentioned before, I thought I was a genius for designing this cardigan, except that…I didn’t. But it was fun to make, especially with the cables on front and back to keep it interesting. The shawl collar was a feat, using almost a whole 100g skein of yarn alone. I added a bit of extra length, several more increase rounds below the waist, and finished the whole thing off with wooden buttons. It’s easy to wear, warm, and cozy.

Although: have you had this problem with Madelinetosh yarns? It grew substantially when handwashed and blocked. Alarmingly, actually, and I had to re-block to smallify the whole works. I suspect it may be the superwash factor that caused this (further intensifying my dislike of superwash). I’ll wait to see if it continues to grow with wear – I hope not, because I really love it otherwise.

Pattern: Dark and Stormy by Thea Coleman (Ravelry link here)
Yarn: Madelinetosh Tosh DK (100% superwash merino wool) in Glazed Pecan

Cranberry haze

I made an impulse buy the other day: Veronik Avery’s Fuse pattern from the latest Brooklyn Tweed publication. And then I made another impulse buy: the yarn to make it. Blackstone Tweed in Cranberry. Oh my gosh, I love red. Love love love. Strangely, I have nothing red in my wardrobe, I guess because I’ve found it tough to pair with other colours I wear. What a lame excuse. So I bought RED.

The anxiety began almost immediately – I had to go down two needle sizes to get gauge, but the fabric seemed impossibly dense and stiff. Was there too much positive ease? Were the tweedy bits too much combined with the lacey bits? Was the pattern even my style? Was I actually going to wear this? I finally plunged my 2/3 of a sleeve into the sink, left it to block in front of the fireplace, took a valium and went to bed (kidding. But it must seem like I have a medical issue to be freaking out so much over a piece of knitting).

Calm reason prevailed the next day. Lots of tweed + vibrant colour + lace pattern = sensory overload. What was I thinking. I’ve already started swatching in a beautiful, soft, plain charcoal yarn to try Fuse again, because it wasn’t the pattern’s fault. Or the yarn’s fault for that matter; Blackstone Tweed is sooo nice, and super soft once washed and blocked.

I’m still on a quest for red. I’ll find it soon: a beautiful solid red, soft natural fibre, non-superwash, plied and worsted weight…

Grey with a bit of blue

Rain. Grey clouds. These three words sum up one of Vancouver’s two seasons pretty well. And it makes it hell for photos when you only shoot with available light, like I do.

I really do have a backlog of knits to talk about, but it’s no fun to post without photos. Christmas gifts, given and unphotographed. Even a Hallowe’en costume – ok, I’m sure we had some sun in the last two months, but now I’ll have to wait for more. Little fingerless gloves of my own design that are as grey as the sky, and therefore hard to shoot; now I’ve worn them so much that they’re all fuzzy and I’m thinking of knitting a second pair to be photo-worthy.

But I have this.

It’s a nest! From a kit we’re selling in the store. This must have taken two hours from start to finish, not including drying time. The nest is knit and then felted; the eggs were to be needle felted. Not having a needle felting tool, I just wet-felted them by rolling them around in my palms and giving them egg-shaped squeezes from time to time. Even the little quail feather came in the kit! Such a weird idea, a bird making a nest from alpaca fibre (although, when the family dog gets a haircut outside, the birds collect her locks and make little schnauzer fur nests. So maybe not that weird).

 

Pattern: Felted Woolly Nest Ornament (kit) by Marie Mayhew (Ravelry link here)
Yarn: Frog Tree Alpaca Sportweight (100% alpaca)

Rosebud

When I got my first skein of Shelter yarn in the mail earlier this year, I was disappointed. It was rough and plain, for some reason not what I expected. When I finally cast on for a Rosebud hat in December, I had doubts that anyone would want to wear such a bristly fabric.

But as I knit, I began to see a lovely, rustic fabric emerge. And I thought about things that are important to me, that I even went to school to learn about: supporting local farmers and manufacturing, using low-intensity materials, appreciating uniqueness and variety, loving the handmade and old and rustic, and appreciating good design – and I started to really appreciate this yarn. After all, one of Jared’s goals in creating Shelter was to support and promote American sheep breeds and wool, not to mention to stay true to his love of simple and beautiful tweeds. Amanda, Michael and I had a Christmas party conversation about this very thing, and I think we’ve come to a similar conclusion – this yarn feels like real yarn.

So the Rosebud hat turned out to be a success, and the yarn softened to a squishy and super-elastic fabric after washing. Not silky soft, but real. It reminded me that wool is such a rad fibre, and how it always disappoints me when people claim to be allergic or just flat out don’t like it. Renewable, relatively low input and non-toxic*, biodegradable, warm, insulating, waterproof, and just plain beautiful in its variety. I mean, really, you couldn’t design a better fibre, could you? Down with poly-whatever, recycled plastic bottle fabrics, and NASA franken-creations: go for WOOL!

Pattern: Rosebud by Jared Flood (Ravelry link here)
Yarn: Shelter (100% Targhee-Columbia wool) in Nest

*I know, I’m not considering various dyeing methods here. And sorry, superwash wool, I’m not talking about you either, you little freak.

Out of the fog

The last few weeks are half lost in fog and now that I’m feeling better, I’m also feeling so removed from the world. When I finally went into work they got all teary eyed like they thought I would be gone forever; I became so behind in my Spanish class that I dropped out (because if you can’t kick ass at something, give up! I always say); and without television or contact with the outside world, it doesn’t feel like Christmas at all. Being holed up at home has gotten old – even the cat’s giving me resentful looks, as if she needs a holiday from me.

Drama aside, I’m back and knitting. I’m relying on some great designers to do the heavy lifting for me, so that I can just knit. Not think, just knit. And here’s what I’ve been up to.

Thanks, Jared: when I’m not seething with envy, I’m having fun knitting Rosebud. With your yarn. Yes, the one that you created with all that natural business and design talent.

I like my knits to match the furniture.

Dark and Stormy is a great knit but man, that shawl collar: almost an entire 100g skein of Madelinetosh DK! But I still love it.

A little look at someone’s gift…this one isn’t fun to knit but it’s fun to pet and squeeze.

All twisty

I’m in twist collective! Even though it’s been in the works for months, I’m actually mostly speechless and have been staring at my monitor for going on 20 minutes, trying to figure out what to write. I mean, what can you say when you want to design knitwear and your pattern is picked up by twist?

© James Brittain & Twist Collective